Work In Progress, that is. This summer while on a mini hiatus from my novel I was asked by Potomac Review’s Andrea Pawley, a fantastic writer and author, to guest blog on their web site. I was honored, so of course I said YES!
Whenever I’m asked to guest write, I always like to explore and share the issues I struggle with as a writer. My hope is that other writers will benefit from my mini Aha! Moments, thus gaining a little more sleep during those late nights staring at their computer screens.
This time around I shared my observations and learning experiences when developing the first sentence for my current novel. I explored the why and how. Here’s a small peak into my post.
The Hook: First Sentences Are Not Easy For a Reason
The truth is no one ever judges a book by its cover (We hope); they judge it by its first line. A Creative Writing teacher explained her method of book selection. She opens to the first page and scans the first line. If in those few seconds it doesn’t grab her, she walks away from it completely. She’s not alone. Most publishers take only 20 seconds to read the first paragraph of your story before they decide to either dump or read on through the next five pages. Your story is riding on that first sentence; make it memorable.
I Am The Queen of Run-on Sentences
When I first started my novel, there were two things I knew with clarity: how the story should begin and how it should end. At first, the task and responsibility of the first sentence was difficult for me to grasp. I knew I wanted the first sentence to convey cherished love, the innocence of a young boy on the cusp of adulthood, loneliness, a sense of time passing, urgency and sacrifice. My first reaction was to jam everything into one long monster run-on of a sentence. Staring at the page, I was heart broken. All of the words seemed to all collapse onto themselves. I had no first sentence, and there I stood stuck.
Until I read this….
“A good first line should be as good as your favorite film quote. Something that even when taken out of context has power – the power to make someone laugh, think, gasp or grimace.” – Christopher Jackson
You can read the full post at Potomac Review- A Journal of Arts and Humanities